Radius microphone suspensions: RAD 1 & RAD 2
Finding a microphone shock mount that balances quality, customization, and affordability can be a challenge. The relatively new Radius Windshields RAD-1 and RAD-2 mounts aim to fit that sweet spot for audio professionals. Below, we’ll highlight some of their key features and potential use cases.
Flexible and Secure Design
A few things stand out right away with the RAD shock mounts. Firstly, they allow for an impressive amount of adjustment to fit different microphones and boom pole setups. The interchangeable hoops and rotating knobs enable customized positioning. And once a mic is mounted, the rubber latches keep it firmly in place - these mounts passed rigorous vibration tests without failure. That security gives peace of mind for outdoor recording or mobile use.
Noise Reduction
Effective isolation from handling noise is critical for clear and consistent audio capture. From all accounts, the RAD shock mounts perform very well in this regard across a variety of recording scenarios, from vocal booths to field interviews. The hoops and latches seem to prevent unwanted sounds, even when booms are swung rapidly or microphones are subjected to accidental bumps.
Great Balance of Price and Performance
Considering their solid build construction and noise filtering capabilities, RAD shock mounts are attractively priced at € 82,00 each. This positions them well against premium brands costing two or three times more. They may not match the absolute quality of a high-end suspension mount, but RAD still delivers pro-level function at a reasonable cost.
The main differences between the RAD-1 and RAD-2 shock mounts are:
1 - Intended microphone types
The RAD-1 is made for short shotguns and small condenser mics, while the RAD-2 is designed for longer/heavier microphones like the Sennheiser 416.
2 - Hoop design
The RAD-2 has thicker hoops with a different bridge design to support heavier microphones.
Shock absorption
The RAD-2 seems to provide more bounce and vibration dampening for large diaphragm mics.
While the RAD-1 and RAD-2 share a similar adjustable design, the RAD-2 is optimized for larger exterior recording microphones in terms of hoop strength, size, and shock isolation. But both deliver the customization Radius Windshields is known for.
Conclusion
In summary, Radius Windshield’s RAD microphone shock mounting line hits a sweet spot between flexibility, sound isolation, durability, and affordability. For budget-conscious audio engineers needing customizable suspension systems, these thoughtfully designed mounts warrant a close look.